subs. (theatrical).—1.  The arrangement of an actor’s face and dress. See TO MAKE UP, sense 1. MAKE-UP BOX = a box of materials—rouge, sponges, grease-paint, and the like—used in making-up.

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  1870.  Figaro, 25 Nov. ‘A Dream of the Kow.’ An elderly gentleman—who is seventy if he is a day, but wishes to pass himself off for—let us be charitable and say—half his real age. Certainly, his MAKE-UP is wonderfully good.

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  1876.  G. ELIOT, Daniel Deronda, iii. The sort of professional MAKE-UP which penetrates skin, tones, and gestures, and defies all drapery.

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  1879.  DICKENS, Jr., Dictionary of London, s.v. ‘Private Theatricals.’ For wigs and MAKE-UP the amateur may depend upon Mr. Clarkson, of Wellington-street.

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  1882.  Daily Telegraph, 22 Feb. ‘The success of the idea was prejudiced by the MAKE-UP, for though there was hideousness in the eyes, the lower part of the face of the new Caliban was anything but unprepossessing.’

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  1883.  G. A. SALA, Echoes of the Year, 362. Her MAKE-UP was so terrifically weird and ghastly.

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  1889.  Academy, 6 July, p. 14. Mr. Somerset, who makes up badly for the part of the father, unless it is, as it may be, very clever to suggest by MAKE-UP, a character wholly artificial, etc.

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  1889.  Globe, 11 Feb. The arrangement of paunch and limb and the MAKE-UP of the face are perfect.

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  1891.  Sporting Life, 25 March. No more a type than those two comedians at the Opera Comique are—thanks to the MAKE-UP and the words they speak and warble.

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  2.  (common).—A piece of deception; a BARNEY (q.v.); GAMMON (q.v.); HUMBUG (q.v.); a TAKE-IN (q.v.).

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